Matt Warner — Audio Designer

Gameplay trailer

Resultare

2026

Designed and implemented all audio from scratch using Wwise and Unity. All SFX and Music are 24 bit, 48khz .WAVs and have been mixed and mastered to comply with industry standards. The music was made to play with the same theme and arrangement throughout the game, but to dynamically change its style depending on what the player is doing. I also thought it would be fun to use the infamous "Meowsynth" VST for the main theme due to the mascot being a cat.

A lot of the SFX are re-sampled and use instances of Foley and Serum. The menu sounds take heavy inspiration from the Nintendo Switch menu sounds, and I wanted to emulate the cute, satisfying clicks and bloops. I also used sounds from popular games like Fortnite, League of Legends, and Super Smash Bros. Ultimate for reference on how they achieved different moods with their layers (Shop_LegendaryAppear takes inspiration from League's "Youmuu's Ghostblade" activate sound as an obvious example).

Resultare Theme MAIN

Ball_Shoot

A bass-heavy shooting sound that plays when the cannon fires a ball.
Shop_ItemBuy

A synth chime played along coin foley and a long tail that plays when an item is purchased from the shop.
Barrier_Break

A powerful synth one-shot that plays when the "goop" barrier at the bottom of the screen is destroyed.
Round_Boss

A heavy bass synth paired with glass shattering and a police siren that plays when entering a Boss round.
Score_Overload

An electric, wooshy chime that the score counter plays when the player's ball achieves an exceedingly high score.
Shop_LegendaryAppear

A woosh that plays alerting the player that a legendary item appeared in the shop.
Ball_Break_Base

A popping sound that plays when a ball despawns. Different balls have layers that play on top of this sound that are thematic to their type.
Menu_Button_Settings_Click

A short, cute, and satisfying "click" that plays when clicking on a button in the Settings menu.

Wwise session

Modeled, textured, and animated 3D models and created pixel art.

Item Pixel Art

Pixel art for items that appear on tokens

Cat Skins

Custom skins for the cat depending on the selected game mode.

Gameplay - Shooting

Canon model, Peg models, and Net model

Cat Rig

Cat model, rigging, and animations

Capsule

Capsule model and animations

Cat animations

View Resultare on Steam

Final Scene

Arcane Sound Re-Design

2026

A sound re-design for a scene in the TV Series Arcane. I used a combination of Foley and synthesis (mainly Serum 2), inside FL Studio 2026.

Sound Redesign

Wall-E Sound Re-Design

2022

While taking Music Industry Arts, we were tasked with doing a sound redesign for a scene from the film Wall-E. All sounds were recorded and synthesized by me, and the mix was done in Pro Tools.

Yes I know he doesn't talk in the movie.

Original Music

2024-Now

In my spare time, I like to make Electronic music. I enjoy synthesizing my own sounds from scratch, and with every new song I push myself by experimenting with new techniques. I find that there are a lot of transferable skills when sound designing for Game SFX or Music, and I find myself using the tools I learn doing one in the other. When designing the sounds for Resultare, I would pretty regularly resample patches I made in Serum. For example, the Round_Boss sound features a heavily altered bass hit, and Ball_Break_Base uses a downlifter that I like to use in a lot of my songs for texture.

I started creating music back in High School when a friend of mine showed me the process of making hip-hop beats. The simplicity of these beats really helped me get a grasp on the fundamentals when creating music and working in a DAW. The workspace of choice was FL Studio, and although I've learnt how to use many other DAWs (Pro Tools, Ableton, Logic Pro, Reaper, and Audition), I've stuck with FL as my main out of familiarity. I've found that most DAWs can let you achieve the same end goal; it's just the tools and workflow that differ.

I took a program called Music Industry Arts in college, which gave me insight into both audio engineering and the music industry. After graduating, I got a job at Encore operating live sound and video equipment for events. While doing both, I continued learning and experimenting with sound design on my own.

Listen as Matt.Clip

Showreel